Wednesday, October 27, 2010

New York Film Festival 2010: Decay (or Preservation?) of a Marriage (Authentic or Copied?) in Kiarostami's "Certified Copy" (2010)

New York Film Festival 2010: Julie Taymor's Raging, Supernatural, Shakespearean "The Tempest" (2010)


"We are such stuff as dreams are made on, and our little life is rounded with a sleep" (Shakespeare, "The Tempest"). Yes, Julie Taymor is a visionary. An original mind, with a talent for creating visuals that bring the forces of nature closer to you, yet that are portrayed in an unearthly, magical way. Yes, the poetry is like a layer of balm throughout the raging "The Tempest", the 2010 NYFF centerpiece. She is a bold director. And Hellen Mirren is a master thespian, proudly portraying Shakespeare's Prospera (in his text designated for a male character). But only for a true devoted scholar of Shakespeare, with a well prepped and hungry mind to view a cinema interepretation of his last play, can truly understand this film. No matter how hungry, curious and appreciative of a perfect set mind sits in the audience, with every passing minute of this glorious cinematographic translation of the play, one's incomprehension grows. The dialogue is pure (VERY PURE) Shakespeare. The atmosphere, despite the violent sea, the absorbingly magical woods, the powerful rain, the mud, the thunder, fire, rage....feels very play-like. Majestic, grandiose, with beautiful imagery, but lacking the potential for Shakespeare's language and deep characters to stick with us. Like a work of art, by a talented, masterful artist, that leaves you with appreciation for the deep study, but slight shame that so many pieces are left somewhere behind the art, unable to speak to you during or after the viewing.

Monday, September 20, 2010

Get Ready for Some Boston (Crime) Reality: Ben Affleck's "The Town" (2010)



There is something to be said about putting the one thing you know and love (in any kind of strange way) into your creations. This is why I think Ben Affleck wastes no time when trying to show us what the city of Boston means, what being from Charlestown ("The Town") means. You just know, through many of Affleck's movies so far, that Boston is his playground of creations, no matter what road he takes.

Born in Charlestown is being born into a lifelong profession of crime. Without any exit routes, other than the prison. Or maybe not? Maybe there is a way out, through an outside link, even if that link just happens to be the one hostage you take in your latest robbery. Somehow life lands us those coincidences, I presume. "The Town" grabs you from the beginning, with its factual surprising statistic about Charlestown - home to more armored car and bank robbers than anywhere else in America (and we thought we knew almost everything there is to know about big crime clusters through the many mob films). Then taking you from Charlestown's fact, to Boston's skyline, to a Cambridge overture. After that, it is a thrilling ride. Meticulously planned jobs, with a masterfully executed final crescendo. Doug MacRay (Ben Affleck), our "hero", wants out this time. And you know the drill. There is always one last time. There is always one romance to fill in the rough edges. But there was not always the best neighborhood friend that owns every single second of the screen in such a way that after the movie, you keep thinking about his character and not that much about the hero. Jeremy Renner, well done. Jem (Renner), playing the partner in crime (the usual role) delivers the unusual. Unusual mastery. Keeping us perplexed about his next move. Whether it is going to be a geniously plotted escape, or an impulsive kick at the victim or his team buddies, or a scream just because he feels like it. You just don't know. But you know that there is fearlessness as well as fear of staying trapped in this life, in this environment. You know that there is loyalty, brotherly loyalty that he cannot compromise, even if others can. And you want to see more.

I haven't mentioned Jon Hamm (Agent Frawley) at all. And I won't mention Jon Hamm unless I am reviewing the way he drinks his whisky and other shenanigans in Don Draper's spacious office. Enough said.

Finally, I hope Affleck is ruminating his next project and starting is soon. Because after Good Will Hunting (as co-writer with Matt Damon), directing Gone Baby Gone and The Town, I can't wait for the next Affleck Boston ride.

Wednesday, May 5, 2010

TriBeCa 2010 Recap: Take me to Paris, Cairo and Rajastan

1) Road, Movie
2) Cairo Time
3) Serge Gainsbourg: Je t'aime....moi, non plus

Sunday, March 7, 2010

Oscars: My Predictions

Leading actor: Jeff Bridges
Supporting actor: Woody Harrelson
Leading actress: Sandra Bullock
Supporting actress: Mo'Nique
Directing: Hurt Locker
Best picture: Avatar